Municipal Pride

The third element of my Dewsbury triptych is the rather beautiful Dewsbury Town Hall, built in 1886 by local architects Henry Hottom and George A. Fox. It dates from a time when municipal pride was competitive, and local towns tried to outdo one another in the scale and beauty of their public buildings. For a town of its size, Dewsbury would take a lot of outdoing!

Dewsbury Top And Bottom

 

The second of my Dewsbury triptych celebrates that moment - which all photographers know well - when you suddenly catch sight of an alignment of objects or an idiosyncratic collection of shapes, and snap away with enthusiastic abandon. Your companions look at you as though you’ve taken leave of whatever sense you had - but you have spotted a top market and some mannequin bottoms.

Stone Heroes

When brothers Robert and William Machell built their new mill in Dewsbury in 1874, they chose to incorporate four finely carved stone portraits into the fabric of the handsome Cloth Hall Mill. Two depicted themselves - upper right and lower left - while the others portrayed the then Prime Minister, Benjamin Disraeli (upper left), and Richard Cobden, the former radical Liberal MP for the West Riding. I stopped to say hello to all four while walking around Dewsbury last week.

Rooftops And Chimneypots

 

I remember taking this photograph half a century or more ago, at a time when there was an outcry against TV aerials as despoilers of urban landscapes. I was always rather fond of them - there was an idiosyncrasy about them that is sadly lacking in their modern equivalents. Add a decent collection of chimney pots to the scene, and you almost have a work of sculpture.

Reversing Requires Remark Methinks

Is there anything better than an old picture postcard - with a dramatic scene of waves breaking over the Blackpool seashore on one side and a cryptic message on the other The card appears to have been sent by my grandfather, Albert Beanland, to his brother, Fowler Beanland. The message reads, “Methinks remark requires reversing.” Make of that what you will.

Look, Duck And Vanish

 

At the outbreak of World War II, my father (on the left in the photograph), who was in a reserved occupation, joined the Local Defence Volunteers (LDV). He always claimed that LDV stood for “look, duck and vanish”. The organisation later became the Home Guard, and he was tasked with defending Baildon Bridge, near Bradford, in case the Germans sailed up the Leeds and Liverpool Canal. Who do you think you are kidding, Mr Hitler?

Half A World Away

 A cobbled street of almost mountainous proportions, gas lamps casting light over a greyscale scene, and washing lines stretching from side to side like cut-price bunting: this was Claremount, Halifax, in the late 1960s. I took the photograph more than half a century ago, and more than half a world away.

Heritage

 I've only ever worked in a mill as a holiday job while at university - really, I was just playing at it. But I am the son, grandson, and great-grandson of mill workers. Threads of yarn bind my genes together, and bobbins form the bones of my ancestry. I took this photograph at Bradford Industrial Museum. The machines stood still and silent, but history roared through the building.

Woodwork

I'm not quite sure how I acquired this photograph. I don't appear in it, and it isn't my school. None of that matters, however: the scene rings more bells than a school clock. I spent many an unhappy hour dowelling a dovetail joint (or whatever it was) and creating a footstool that eventually collapsed the first time anyone sat on it. Ah, woodwork!

The Collector

 

There is a pleasure in collecting old photographs of unknown people. They are people who long ago departed this world, leaving behind only a few fading family memories and the occasional faded photograph. We get to shine a light on these forgotten faces and imagine what might have been.

Tired And Grainy

I must have taken this photograph almost sixty years ago. It’s grainy, low in contrast, tired, and of dubious quality. I asked AI to improve it, and it produced a version that was shiny, sharp, and so, so wrong. This is the Halifax I remember. Perhaps I, too, am grainy, tired, and of dubious quality. I don’t care.