The Girl With The Throwaway Glance

 

19th century photography is photography of the constrained: studio photography of fixed poses, fixed smiles and fixed emotions. The twentieth century brought cheaper cameras and that meant photography of the people by the people. Of the people leaning against a wall with arms folded, of the girl with the throwaway glance, of the dog snoozing in the shade.

Tired Souls

 

Right next to the Grade 1 listed All Souls' Church in Halifax, there is a statue of the Halifax mill-owner, social reformer, Member of Parliament and church-builder, Edward Akroyd. On the plinth of the statue are a number of decorative panels showing key events in his lifetime, one of which is the laying of the foundation stone for the church in 1856. The panel is now somewhat worn, weather-beaten, tired and forgotten. Tragically, so is the church it commemorates. 

Courage Brewing

 

This was Courage's Anchor Brewhouse, which was next to Tower Bridge in London, back in the 1970s. When I took the photograph, breweries were still big and located in the heart of our towns and cities. These days, breweries are either of the micro variety, or they are formless features on out-of-town industrial estates. As for the Anchor Brewhouse, you can now buy a small apartment there for as little as £5 million!

Droning On

 

These days you would just launch a drone, but back in the 1980s we didn't have drones (probably a good things seeing what else drones can do). If you wanted an aerial photograph like this one of Upperthorpe in Sheffield, you had to construct a brutalist concrete labyrinth (aka Kelvin Flats), climb to the very top, and take your photo. I like to think it was worth the climb.

Forsooth

 

Shakespeare Street, Halifax : A lane obscure, yet bearing a name of renown, once did serve as a stately portal to a playhouse, a haunt for souls who sought diversion and wisdom. Long hath it languished in adversity, and now is it haunted by sots and knaves.

Britannia In The Trees

 

Britannia has sat on top of the rather ornate former bank at the end of Elland Bridge for 133 years. You might think she'd get bored, but I suspect she enjoys the ever-changing view. I've been regularly taking her photograph for the last 56 of those years. I, too, enjoy the view. Here she is on the first day of Meteorological Spring, 2026.

Prescience

 

I took this photograph a couple of days ago, gave it a title, and scheduled it in for my calendar for the 1st of March. Prescient, or what?

Still Collecting

 

My passion for collecting old photographs recognises few bounds, and a few years ago I managed to acquire a small collection of the original negatives of "stills" from British films from the 1940s and 50s. Such photographs were taken during filming in order to prepare the publicity photos that would be displayed outside cinemas. You might think it is an odd thing to collect, but there again, I'm an odd person.

Times Certainly Change

 

Getting somewhat annoyed the other day by some toxic pronouncement by a global potentate, I banged my fist down on my desk, and my smartwatch informed me that it looked as if I had taken a fall and that it would send for an emergency ambulance. Just think, sixty years ago I would have had to catch a bus to Halifax and find some cast-iron street hydrant in order to achieve the same ends. Times certainly change.

Sheffield Shapes

 

I took the photograph back in the early 1980s, and I messed around with it early yesterday. It snowed a lot back in the early '80s, and I wandered up and down the back streets of Sheffield taking photographs. It was the shapes that attracted me then, and they still attract me now. Sheffield shapes.

Any Lane

 

My photograph dates back to the early 1970s and shows one of those streets near the bottom of Lister Lane and Hopwood Lane in Halifax. The precise location doesn't matter - it could be any lane in almost any northern town: with cobbled streets and an obelisk of a mill chimney.