My post today features two images from my family photograph collection. Between them they feature three girls – and three methods of identification. The first photograph is the later of the two, and probably dates from around 1928. It shows two teenage girls with a Japanese umbrella and the hint of a painted Japanese scene in the background: the kind of props that were popular in photographic studios in the 1920s. The girl on the right – as you look at the photograph – is my mother, Gladys Beanland. The girl on the left is called Florrie – and I know that because of a pencilled description on the reverse of the print.
If the first photograph depends on familial recognition and pencilled annotation, in order to accurately identify the second photograph, I had to turn to new technology. I thought I recognised the young girl in the studio portrait, that must have been taken in the first half of the 1920s, but I couldn’t be sure. I then submitted the image to the facial recognition programme on Photoshop Lightroom, and it agrees with me – the sitter is Gladys’s sister – my Auntie, Amy Beanland. Two lovely old photographs, three lovely young ladies, and – thanks to modern facial recognition and old-fashioned pencilled notes – three identifications.