Our Sepia Saturday theme image this week shows a brave swimmer about to dive into what appears to be a cold sepia lake. Even on a globally-warmed summer's day, the prospect is enough to send a shiver down my spine, so I stayed indoors instead and searched through my ever-growing collection of old and unwanted photographs in order to find something that fit the bill. I eventually found a small, old faded photograph of five men in a boat along with a sixth man who is already in, what appears to be, an equally cold sea.
On a whim - and because it is the kind of thing that you can do when you are retired and trying to avoid mowing the lawn - I decided to see whether I could make the sea a little more inviting. There was an App which claimed to automatically "colourise" monochrome prints that I had been meaning to try for some time, so I subjected my little grey print as an experimental offering. The result (see below) was quite good - it reminded me a little of those early twentieth century "colourised" picture postcards where blocks of slightly inaccurate colour appear to have been applied by a pig-bristle brush. There were, however, two drawbacks to this approach to turning the sea blue: the process reduced the size of the original image to a scale fit only for a mobile phone, and - more importantly - you had to pay 10 pence for the magical transformation.
Being a Yorkshireman, I quickly moved on to a second approach and that was attempting to colourise the image myself by inexpertly manipulating various brushes, layers and filters in Photoshop. The result (see below) was not too dissimilar to the App conversion, except that it retained the original size of the image and cost 10 pence less. Perhaps I should practice more, because it must be said that there is something not quite right about the results I achieved. The sea is a little too blue, a little too inviting. It might work for Malibu Beach, but not for Cleethorpes.